Score: 9

"Loved it"

submission: Franky vs Allen Walker

date: December 29, 2007

Very talented in the respect of fight pacing and motion blur. A sparse sound score during energy draw and other small parts would've added to tension, but otherwise great ani.

Score: 5

"Hmmmm"

submission: Crank the Universe

date: December 11, 2007

Tweening was a bit odd looking, but the dance was hilarious. Made moreso by the fact that I hate Soulja Boy. Unlike the review below me, though, it's not because I'm bitter because rappers make money and I don't. I just don't like club/crunk/bling/glam rap, like Lil John, Soulja Boy, etc. But the ani made it mildly funny. Keep working at making everything smoother.

Score: 2

"Wow"

submission: Click the Red Button

date: November 26, 2007

That blew. Music was annoying for this style of boring, tedious game. Ambient or something more mellow would do better since it's already annoying to play such a silly game. No need to overkill the experience with crap techno/hardcore style junk.

Score: 9

"Good"

submission: Shogun Braker!!!!

date: October 26, 2009

The bass is too hot, it is causing alot of pumping in an unpleasant way. You need to limit the bass on it's own before sending the whole track into a limiter because this is where I am guessing the pumpiness is coming from. It really plays havoc with your drums. Also, like everyone else, more changes on the drums woulda been nice, like a little glitch breakdown or something coulda saved this.

Peace

Score: 9

"Dawg, serious"

submission: [C] Get On My Level

date: October 26, 2009

I gotta tell you, you improved overall since you started, but you're falling into the same cesspool that all of the people you mention, friend and foe alike, have fallen into. If you don't "see" them, don't mention them.

Improve your vocal mixing, the record quality is fine, but there's nothing to your voice to make it any different than the average radio morning show dead booth sound. Every one of the vocals I've heard from you have that EQ treble peaking and dead room sound that comes with a vocal booth being too tight and restricted or from EQ'ing out all of the warmth and low mids from a vocal. You also got a really hot vocal mix, a little too tight on the lowered instrumental sections. In the section where your double is screwed down, the vocal is way too hot, it overpowers everything and is pushing your limiter hard enough to make the whole thing sound boomy.

This instrumental sounds like you cut everything from 125 Hz-750Hz or so with a notch filter, there's no upper bass and low mid freqs in the instrumental. Altogether, this is good but mastering isn't going to fix mixing problems, it's only going to cause more problems.

As for NG not deserving your music, if you keep shouting out NG artists, this is the only place you're going to remain. What happened to spending 13K$ on a studio this year? Serious, get up on the level you claimin' before tellin' anyone to get on your level.

Score: 9

"On my list of priorities, crack is above you"

submission: Wyze - Be fucking Dead

date: October 21, 2009

You've def improved on the flow side of things and the lyrics are improving, delivery gets better all the time. Good to note you're working on it all the time, keep practicing and def keep working on the mixing side of things if you wanna produce. Some good punches, but there are some spots where you rush your syllables. If a verse isn't coming out, start cutting it down to the important stuff. Count your syllables out and work on not rushing things as much, as well as solidifying your "voice", ie. the sound you want to portray for your own vocal style, which is definitely different.

PS: I still fuckin' love that intro. It makes me laugh every time I hear it!